Parralox - Blog

Elektroskull reviews Holiday '17

article 2017 12 23 parralox holiday 16 reviewed on electroskull

Esteemed Swedish blog "Elektroskull" have reviewed the latest Parralox album "Holiday '17" - the latest in our Holiday collection of cover versions.

We garner a 7/10 rating and the article itself is quite generous!

Holiday '17 contains a selection of songs by Depeche Mode, The Human League, Fleetwood Mac, Strawberry Switchblade, The Assembly, Secret Service, Elvis Presley and The Cure. Vocals are courtesy of Katja von Kassel and Louise Love.

Click here to read the original article on Elektroskull >> http://www.elektroskull.com/2017/12/parralox-holiday-17/

Special thanks to Stefan Last.

Screengrab of original article >>

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Electric Nights filmclip reviewed by The Electricity Club

article 2017 12 19 parralox electric nights electricity club filmclip article homepage

One of the planets leading synth blogs "The Electricity Club" have written an article about the music video for our new song "Electric Nights".

It's rather fabulous (the article!) and you can read it by clicking here >> http://www.electricity-club.co.uk/parralox-electric-nights/

Special thanks to Paul Browne.

 

Follow The Electricity Club :

https://www.facebook.com/Electricity-Club-1317870024938982/

https://twitter.com/clubelectricity

https://www.youtube.com/channel/UCDyEwJnFIbHfeH2UUWg3LcQ/

 

Edited Screengrab of the article >> (click to open image in a new window)

article 2017 12 19 parralox electric nights electricity club filmclip article

 

 

Click here to see the Electric Nights filmclip on YouTube >> https://www.youtube.com/watch?v=XufYO39gi2Y  
 
 
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Boy Culture reviews Electric Nights

article 2017 11 25 parralox electric nights review boy culture

Absolutely Fabulous blog "Boy Culture" has written an awesome, albeit short, review of Electric Nights, the new single from Parralox.

"I want this whole album right away!"

Boy Culture was born on November 6, 2005, out of a desire to say something mean about a pushy journalist its founder, editor and author Matthew Rettenmund, had encountered at a Blondie concert. Since then, Boy Culture has grown to become an influential blog covering celebrity, gay issues, music, film, theater, beautiful men, humor and politics.

Click here to read the article >> http://www.boyculture.com/boy_culture/2017/11/parralox-electric-nights.html

 

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MyFizzyPop reviews Electric Nights

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Check out the awesome 'MyFizzyPop' review of the forthcoming Parralox single "Electric Nights".

The EP & Remixes are released on the 24th November 2017.

Click here to read the article >> http://myfizzypop.blogspot.com.au/2017/11/parralox-electric-nights.html

Special thanks to Stefan and Paul Reynolds


Pre Order Electric Nights >> http://bit.ly/parralox-electric-nights
Pre Order Electric Nights (Remixes) >> http://bit.ly/parralox-electric-nights-remixes

article 2017 11 11 parralox electric nights my fizzy pop

Parralox - Electric Nights Remixes - 500px        Parralox Electric Nights 500px

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Side-Line reviews new Parralox album Subculture

article 2017 03 19 sideline reviews subculture and holiday16 by parralox

 

Side-Line reviews have just posted reviews of the new Parralox album Subculture, and also Holiday '16.

Side-Line Reviews is an online platform for lovers of EBM, dark-electro, industrial, power-noise, tribal, industrial-trance, dark-ambient, techno-body, gothic, new-wave, ethereal, synth-pop and related genres.

Parralox - Subculture 50px Click here to read the Subculture review on Side-Line Reviews

Parralox - Holiday 16 Click here to read the Holiday '16 review on Side-Line Reviews

 

Kind thanks to Stéphane Froidcoeur.

 

 


Full Side-Line Reviews text >>

Parralox - Subculture 50px SIDE-LINE REVIEW OF SUBCULTURE >> https://www.facebook.com/InfernoSoundDiaries/photos/a.1515526255393544.1073741826.1515526178726885/1912703745675791/?type=3&theater

Parralox – Subculture (CD Album – conzoom Records/Subterrane Records)

Genre/Influences: Electro-pop, dance-pop.

Background/Info: Parralox is a prolific band animated by the creative spirit of John von Ahlen. “Subculture” is the 8th full length of the band while they also released a few remixes-albums. “Subculture” features 2 different parts. You first get the ‘Red’ part, which is totally into dance-pop and next the ‘Blue’ part featuring more ‘traditional’ electro-pop. Each part has 7 songs. Notice by the way numerous guest singers contributed to this album.

Content: The ‘Red’ part moves on the edge of commercial music. It’s more into dance music instead of electro-pop. The songs are well-crafted and giving you a kind of ‘feel-good’ feeling. Especially the first cuts are totally dance-club minded while driven by sensual female vocals. Louise Love became a familiar singer of the band and contributed to several dance-cuts, but also to several electro-pop driven songs.

The ‘Blue’ part is more into the classical approach of Parralox. The songs mix good-old 80s influences together with a refreshing and more contemporary input. Several songs remind me of bands like Erasure and The Human League. I also noticed an interesting and somewhat nu-disco influence running throughout one of the cuts.

+ + + : Parralox feels comfortable experimenting with different pop-approaches. They already proved to make great covers (cf. “Holliday ‘15” and “Holliday ‘16”-albums), but are still into alluring dance-pop music and of course they remain a cool electro-pop band. I especially like the vintage approach of the work, which is nothing new although composed with brilliant sound treatments and a perfect balance in the vocals production. I definitely prefer the ‘Blue’-pop part of the album. This is the sound where Parralox stands for and where they excel on “Last Man standing”, “Voyager II” and “Rocket Silence II”. A last and essential aspect of the work is the already artistic uniformity of the artwork. Parralox created an easy recognizable artwork, which you directly link to the band.

- - - : Even if I have nothing to say about the production of the ‘Red’-dance side this part of the work sometimes reveal cheap dance tricks moving on the edge of commercial music. I think it would have been better to release it as a separate release or a bonus disc.

Conclusion: Parralox moves in between dance and pop music, but lost a bit of their splendor on the ‘dance’-side. They definitely remain an electro-pop formation and that’s what I enjoy when listening to their sound.

Best songs: “Last Man Standing feat. Peter Wilson”, “Voyager II feat. Louise Love”, “Rocket Science II”.

Rate: (7).

Band: www.parralox.com / www.facebook.com/parralox

Labels: www.conzoomrecords.de / www.facebook.com/conzoomofficial / www.subterrane.com.au / www.facebook.com/SubterraneRecords


 Parralox - Holiday 16 SIDE-LINE REVIEW OF HOLIDAY '16 >> https://www.facebook.com/InfernoSoundDiaries/photos/a.1515526255393544.1073741826.1515526178726885/1912700152342817/?type=3&theater

Parralox – Holiday ’16 (CD Album – conzoom Records/Subterrane Records)

Genre/Influences: Electro-pop.

Background/Info: Set and driven by John von Ahlen the Melbourner based Parralox became a familiar and recognized formation on the electro-pop horizon. After “Holiday ‘15” the band released a new opus on, which they bring an ode to some of their favorite bands. John Von Ahlen and Louise Love have accomplished 14 new covers from some legendary 80s tracks.

Content: Pet Shop Boys, Echo & the Bunnymen, William Higgins, Cicero, The Twins, Depeche Mode (2 songs), The Human League (5 songs), Sparks and Heaven 17 have been the sources of inspiration to release this work.

Parralox adapted the original versions into their own electro-pop approach, which is composed with mainly analogue gear and even the use of the famous Buchla modular synthesizer. John Von Ahlen and Louise Love both sing and sometimes as a duo. The band often reminds me of The Human League and I guess it’s not of a coincidence if this formation also appears to be one of their favorite ‘victims’.

+ + + : “Holiday ‘16” sounds hotter and more exciting than “Summer ‘15”. Working on covers of some legendary bands like the Human League, Depeche Mode, Echo & The Bunnymen and co is not an easy thing, but Parralox has the skills to transform most of the original versions into a very own and successful approach. “Flamboyant” from Pet Shop Boys became a great song, which even sounds a bit The Human League-like. The comparison with The Human League is nothing new although it has been never so true. “Louise” and “The Lebanon” both have been meticulously reworked. It all sounds like Parralox feels the true spirit of the original version to bring them to life in a refreshed version. The songs are characterized by great sound treatments and driven by talented singers. The song “Blasphemous Rumours” (Depeche Mode) is my absolute favorite. It reveals great sequences and a somewhat EBM-flavor while it remains faithful to the original spirit of the song.

- - - : A few songs are not as interesting and I think it’s all about making the right choice. “A Question Of Time” (Depeche Mode) and Zero As A Limit” (The Human League) are not that much worse, but just less credible.

Conclusion: Parralox has found a cool- although not a new concept to bring old standards back to life. It definitely indicates the main sources of inspiration and gives the opportunity to younger fans to discover old electro-pop anthems!

Best songs: “Blasphemous Rumours”, “Bring On The Dancing Horses”, “Heaven Must Have Sent You Back To Me”.

Rate: (7½).

Band: www.parralox.com / www.facebook.com/parralox

Labels: www.conzoomrecords.de / www.facebook.com/conzoomofficial / www.subterrane.com.au / www.facebook.com/SubterraneRecords

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